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風景的游離

             不止於文字之間。混雜的、斷裂的、詩性的影像,與不完整的歷史、永恆缺失的真相相互輝映,引領我們看見、聽見、預見別樣的風景。事情的全貌無法再現,景物往往承載了更長久而不為人知的歷史。一個切面,就足以對社會現況提出疑問,或喚起被遺忘的過去。

In this portion of NNFF, we wish to highlight the poetic possibilities of documentary film. The genre’s allure lies in its ability to summon invisible histories and memories. These films help us ask questions of the society and world around us; they bring attention to what we’ve forgotten, but would do well to remember.

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