1982年生，她是詩的狂熱者。每一首作品都是她持續嘗試在音樂與聲音裡，捕捉無以名狀、找尋與他者對話的方式，與自然的連結、拼成記憶中的場景。

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王榆鈞的嗓音可沙薄亦可渾厚。在意識與虛無之間穿梭，串接風格強烈的情緒與敘事。在她編曲層次分明而豐厚的樂聲中，聽得見試圖以聲音表現對生活中微小片刻的致敬。不畏懼嘗試與實驗，無論個人或樂團作品皆充滿感性的靈魂。聆聽著她的音樂，不知不覺便會陷入思考，沉醉在以音符編織的夢中。

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這次，榆鈞將帶來多年來一直想演出，卻沒有合適舞台的詩與樂。從楊牧到敘利亞詩人Adonis，她滿懷熱情的寫，試圖容納詩歌帶給她的深厚意義——那是比她的嗓音又更厚實的、更貼近生命的存在。

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Born in 1982, Wang Yujun is on a constant pursuit to connect poetry and song, with a background in drama and theater that lends a unique tilt to her work as a singer-songwriter. Her songs, sung mostly in Mandarin Chinese, are intricately woven pieces, both sonically and lyrically. Yujun uses the wide expressive range of her voice to tell her stories, whether it's a meditation on the ineffable or an ode expressing infinite awe for the tiniest moments in life.

Yujun's latest album with her group TIMEr, "Abandoned Garden" won the Best Folk Album Award at the Golden Indie Awards, Taiwan's major prize for independent artists. For her performance at MMF this year, Yujun is preparing a new repertoire that draws inspiration from poets such as Adonis and Yang Mu.    

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