Urna Chahar-Tugchi +
Keyvan Chemirani
烏仁娜與徹米哈尼 蒙古/伊朗/法國 Mogloia/Iran/France
蒙古族能歌善舞，鄂爾多斯草原是歌的海洋，但從没有一個蒙古人能像烏仁娜・查哈爾圖格旗那樣，被傳統充分滋養，又在音樂的旅途上走得那麼遠，為她的聽眾開闢出一个自由廣闊的聽覺世界。從蒙古的草原一路唱到歐洲樂壇與國際各大音樂節，世界就是烏仁娜的遊牧草原。
「鄂爾多斯的每一首歌都有一個故事。」18歲那年，當同齡女孩談論婚嫁的年紀，少女烏仁娜孤身離開草原，來到大城市學習音樂，烏仁娜卻從未正式學過唱歌。「我們會說話的時候，就會唱歌了。」在蒙古，唱歌就是這麼自然而然學來的，人們先聚著喝茶，過會兒再喝點酒，就開始唱了起來。在草原、沙丘與羊群之間，她隨著姥姥哼唱，這令她的聲音有別於學院式的美聲唱腔，烏仁娜對傳統保持高度自覺與思考能力，這是她最珍貴的特質之一。
不論去到多遠，蒙古仍是烏仁娜創作精神的髓脊，她從未中斷從傳統中學習。但使她與眾不同的，還是在於她自己發展的獨特唱腔，她曾示範過一個節奏， 11 拍、11拍、12拍、4拍，這不規律的節拍只是她眾多的秘密之一，她說：節奏源於脈搏。她成熟地掌握住傳統與即興的分界，卻不過度迷失於技巧的遊戲中，失去歌謠深刻的意義，俄羅斯樂評稱她與另一位圖瓦的Sainkho為兩大亞洲歌后（DIVA）。這次邀請到世界最頂尖的伊朗打擊樂世家的Keyvan Chemirani一同搭檔。除了歌唱之外，烏仁娜將說更多更多的故事，從孩子的觀點編選、詮釋每一首歌，送給孩子，給大人，給每一顆年輕或成熟的心靈。
在烏仁娜的歌謠裡，世界依舊年輕，草原依舊豐美，不需曲折蜿蜒的文字迷宮，不需過多語言的解釋，讓孩子帶領你一起進入她的廣闊草原，只要打開耳朵，就夠了。
Born into a family of livestock farmers in the grasslands of Inner Mongolia, Urna Chahar-Tugchi is one Asia’s most outstanding vocalists and an active performer on the world music stage. Urna has always remained true to her nomadic roots, having lived and performed in a diversity of places, from China to Cairo, Egypt and the idyllic countryside of Germany. Now based and well-established in Europe, Urna’s soaring voice has earned her acclaim from critics, and her accolades include Germany’s RUTH prize for best international artist.
The ground-shaking intensity and power of Urna’s singing evokes the immense grasslands of Mongolia, but it also transcends language and culture. Urna’s versatility as a vocalist has brought her in contact with many international musicians, bringing her music to an otherworldly sphere that bypasses all secular and single-minded musical ideas.
Her most recent recording, “Amilal (Life)”, records the traces and tracks of her life of migration after having left the grasslands of Mongolia. It depicts her gaze into the new worlds and people she has encountered, and conveys her yearnings for a peaceful world. Urna now tours frequently in Europe with highly acclaimed zarb masters Djamchid Chemirani and Keyvan Chemirani, as well the prominent Hungarian violinist Zoltan Lantos and Jerzy Bawol, the accordion player of the renowned famous klezmer band, Kroke.
官方網站 Official Website: http://urna.com/joomla/
演出場次：烏仁娜與徹米哈尼
1630-1730 光復廳
Inka Mbing + Atayal Children
雲力思的部落歌謠 台灣泰雅 Atayal, Taiwan
雲力思，Inka Mbing，她是「飛魚雲豹」音樂工團創始成員，活躍於原住民運動與音樂圈的泰雅女歌。多年來，雲力思以其女性細膩的文化理解與音樂創作的才華，持續不懈地投入在原住民的音樂文化運動。她說，她的「運動」不在街頭，也不在學術領域，她更相信「生活中實踐」。她回到部落，與當地耆老對話，採集即將失傳的聲音，重新學習母語、歌謠、文化，以及泰雅的生命智慧，有系統的採集了台灣泰雅部落各地的歌謠與口述歷史，成為泰雅族文化傳承的先鋒。
2008年採集的泰雅古調專輯《Ga-ga》，便是雲力思突破女性不得吟唱古調的傳統禁忌，承受族人質疑的聲浪，將即將失傳的泰雅歌謠，重新拼湊為當代的泰雅女性歌謠，專輯一舉入選歐洲世界音樂排行榜（World Music Charts Europe），歌聲中渾厚的爆發力與生命能量，來自她重新拾回泰雅精神的力量。雲力思回部落走唱，也登上國際舞台，受邀至歐洲音樂節演出，被公認為台灣國寶級的女歌。
《Ga-ga》之後，雲力思泰雅歌謠傳承邁入新的階段，從傳統走向當代。雲力思發現，越來越多部落孩子遺忘了族語，父母忙於工作養家，學校不會教泰雅族的語言、歷史和文化，孩子們陷入了自我認同的矛盾。於是，雲力思決定開始創作童謠，與部落孩子一起生活，在歌唱中創作。走過南投發祥部落、台北烏來部落、新竹水田部落，一路到高山部落司馬庫斯，雲力思的新創童謠有失落的傳統泰雅古調，有孩子對自然萬物的想像與啟發，有環境開發的危機意識，也有保護土地傳承祖訓的責任，記錄了當代部落孩童在台灣的真實處境與心聲。
雲力思拾起孩子的童言童語，以情感細膩而豐沛的吟唱，讓泰雅文化的語言、精神、環境意識、自我認同，在共同的唱作中自然萌生，拼圖出當代泰雅歌謠的新面貌。本次小流浪將邀請泰雅孩童與雲力思共同發表最新創作。
Inka Mbing, one of Taiwan's most powerful indigenous voices, was born in 1954 in Jianshi Township, Hsinchu County. A member of the Tayal ethnic group, one of Taiwan's major aboriginal tribes, she was raised largely by her grandmother, and like many aboriginal youth, economic necessity forced her to leave her home village and move to the city to make a living.
The major earthquake that struck Taiwan on September 21, 1999 hit many Tayal mountain communities especially hard, and Inka Mbing became deeply involved in the rebuilding effort. In the wake of the disaster, she and a group of artists formed the musical collective Feiyu Yunbao (Flying Fish Cloud Leopard), which recorded a live album released in 2000, which raised funds for reconstruction of aboriginal communities devastated by the earthquake.
In her years with Feiyu Yunbao and in the time since the group's breakup, Inka Mbing began to move onto bigger stages, performing at a number of world music festivals. She won a prize at the 2002 Uzbekistan World Music Festival, and in 2006 she was one of the performers in the side shows accompanying WOMEX. She also gained recognition in Taiwan in 2004, winning the Culture Disseminator award, and winning second prize in the 2007 Taiwan Original Music Awards for her song "Call of the Mountain". She also performed at Taiwan's Migration Music Festival, a world music festival organized by Trees, Music and Art. In 2008, she released a solo album entitled “Ga-ga,” which contained a mix of original compositions and adaptations of traditional songs.
In recent years, Inka Mbing has spent a great deal of time and effort learning from the elders of her people. Her long running goal: to gain a better understanding of the Tayal language, culture and philosophy of life. Over the years, she has collected many traditional Tayal folk songs from the Taoyuan and Hsinchu area, hoping to help preserve these songs for posterity. "Ancient Teachings of the Tayal" was the first of many such songs she has performed. She makes use of traditional songs in different ways, sometimes rearranging them, sometimes singing her own lyrics over traditional melodies, and sometimes using traditional lyrics with original melodies. She has even gone against cultural taboos among the Tayal, singing songs traditionally sung by men only. As for her lyrics, she sings about topics related to life in the traditional mountain communities of the Tayal, particularly from the perspectives of Tayal women.
官方網站 Official Website: http://www.treesmusic.com/artist/inkambing/
Keyvan Chemirani
奇凡・徹米哈尼 伊朗/法國 Iran/France
徹米哈尼鼓樂三人組（Chemirani Trio）是來自伊朗的國寶級打擊樂大師 Djmachid Chemirani 與兩個兒子 Keyvan 和 Bijane 所組成，可稱是世界上最重要的打擊樂組合。
Keyvan和Bijane 繼承了父親伊朗 Zarb 的傳統知識，將伊朗古老的音樂進行創新和改良，注入現代的手法，從古老的伊朗詩歌中擷取靈感和節奏，將之轉化、再生，奠定了Zarb打擊樂演奏藝術的重要地位。Chemirani中的三人，也各自發展出不同的音樂路徑，與世界不同文化背景的樂人合作。哥哥Keyvan多年來積極與不同音樂類型、不同文化的音樂家對話，例如與義大利籍擊樂手Carlo Rizzo的長期合作，兩種截然不同的節奏與風格合作下擦撞出相當精采的火花，與印度樂人Irshad Hussein Khan和R. Shankar Mishra的相遇，開啟了世上兩大古老音樂文明的新對話。
Keyvan與烏仁娜相遇於2004年台灣的音樂節。大大樹音樂圖像的製作人鍾適芳邀請了哥哥Keyvan與父親Djmachid在女歌節與烏仁娜合作，波斯鼓多樣繁複的節奏與音階，伴隨來自烏仁娜來自蒙古草原，細膩低吟又豪放延綿的歌謠，合作的默契延伸為烏仁娜最滿意的錄音作品《生命Amilal》。兩人的合作延續到今日，近年來歐洲、亞洲到俄羅斯都有他們巡演的足跡，暌違十年，mmf mini 今年度再次邀請到兩位重量級的國際樂人，交織人聲與節奏的精彩對話。
Keyvan Chemirani is one of the sons of the Iranian percussionist Djamchid Chemirani, one of the world’s foremost masters of the zarb. Born and raised in France, Chemirani has followed in his father’s footsteps as a performer on the zarb, and he has also taken an interest in percussion traditions from cultures outside of his own.
As part of the family group Chemirani Trio, formed in 1988, Keyvan has helped to establish the zarb as one of the world’s foremost percussion instruments.
He started learning the zarb at the age of 13. Taught by his father, Keyvan soon assimilated the traditional technique and knowledge. His talent for dealing with complex rhythms extended to his academic accomplishments. He was studying for a masters degree in mathematics until 1988, when he launched an international career as a soloist and accompanist. With the Chemirani Trio, Keyvan has branched out, both individually and as part of the group, performing and recording with folk and classical musicians from around the world.
As a percussionist, Keyvan is highly proficient in other instruments, including the Udu, an earthenware jar used in the East and in Africa, as well as the Bendir and the Riqq, two Mediteranean percussion instruments. He has performed concerts a long list of accomplished traditional groups and artists, including Djamchid Chemirani and Bijan Chemirani (Trio Chemirani); Hassan Tabbar (traditional Persian music); the Kudsi Erguner band (Ottoman music); Ross Daly Ensemble (Greek and Turkish music); the Ethnic Archipel (quartet of percussions); The Erik Marchand Trio with Thierry Robin; Françoise Atlan (music and Judeo - Spanish songs); Juan Carmona (flamenco); and Irshad Hussein Khan, R. Shankar Mishra (Indian and Iranian percussions: tabla and zarb).
Keyvan is a proponent of carrying on the legacy of oral tradition in music, while keeping a contemporary aim in mind.
演出場次：雲力思的部落童謠
1400-1430 口簧琴工作坊 1430 - 1530 pm 演出
Marja Helena Fjellheim Mortensson
瑪雅・芬海莫森 薩米/挪威 Sami, Norway
北歐的原住民族薩米族，傳統上以馴鹿、捕魚、打獵為維生，過著雪地遊牧的生活。來自挪威南方的19歲薩米少女瑪雅・芬海莫森，成長在挪威南方傳統的馴鹿家族，七歲開始學習薩米傳統吟唸（yoik），十來歲便以母語創作歌曲。瑪雅的吟唱中有人類與自然萬物的靈犀，有薩米傳統詩歌的吟唸，還有家人與馴鹿的獨特情感與生活方式，也同時探索現代化下的人與環境的生態議題。
瑪雅純淨而豐沛的嗓音，像是雪地裡輕巧跳躍的鹿，又像充滿生命力的流動清泉，她的聲音充滿流動的影像感，像在夢境裡不停迴轉、重現的詩歌，七歲開始學習薩米的傳統吟唸（yoik），十來歲便開始以母語創作歌曲。瑪雅的吟唱中有著人類與自然萬物的靈犀，薩米人的世界觀，人與馴鹿的共同遷徙的足跡，也探索現代化下環境與生態的議題。瑪雅除了嫻熟於傳統的薩米吟唸，也將傳統與現代的音樂風格融為一爐，成為近年薩米音樂新生代的新星。
曾獲挪威黑德麥郡文化獎，17歲在挪威國王典禮演出，2014年挪威海岸風暴音樂節登台，大獲好評，受挪威多家媒體競相報導，挪威海岸風暴音樂節(Riddu Riddu Festival)強力推薦的好聲音，小流浪將邀請她分享行囊裡的故事與歌。
【 薩米族與吟唸 】
挪威的薩米族認同運動從1990年開始，在那之前，挪威政府強勢的同化政策下，穿薩米傳統服飾、說薩米話都讓生活早已脫離傳統的年輕人感到羞恥。薩米族的認同運動從三個年輕人開始，他們舉辦了一場薩米青年營，青年們開始穿上色彩鮮豔的薩米傳統服裝、學習薩米語，逐漸找回失落已久的認同。音樂扮演了重要的角色，年輕薩米音樂人把電音、搖滾、舞曲等和薩米的傳統音樂元素一同攪拌，釀成新的樂風，挪威「海岸風暴音樂節」（Riddu Riddu Festival）是其代表。「吟唸」(yoik)是薩米人傳統的歌唱方式，歌頌的對象為人、動物及土地。是傳統儀式中一個重要的部份，不只單純對事物的描述，而是吟唸詩人(yoiker)對於事物本質的詮釋。
Marja Helena Fjellheim Mortensson is a young and talented Sami artist with major accomplishments to her name. Having just completed her high school studies specialising in music, Marja has received Hedmark County’s cultural award and has performed for the Norwegian king, the Sami parliament and at the 2014 Riddu Riddu Festival.
Marja started writing songs in high school, and her music is about closeness to nature and issues important to her indigenous heritage, such as the fight for her community’s right to continue reindeer herding and to preserve the Sami language. ‘I write songs about the challenges that are in the reindeer herding, sometimes to calm myself through music,’ says the open hearted musician. Despite her young age, she holds extensive experience in reindeer herding. Riddu Riddu Festival leader Karoline S. T. Trollvik attests to her talent. "She plays and joiks so beautifully that you are dragged into the music." (Riddu Riddu)
Riddu Riddu 音樂節網站 Website: http://riddu.no/en
